The last time I saw Nine Inch Nails, I commented in my review
"Reznor is screaming, 'Too fucked up to care anymore.' I'm pondering
whether Nine Inch Nails has received the academic examination it so
clearly merits, and whether filling that possible void is why I should
be heading back to grad school."
I'm happy to say that I'm just putting the finishing touches on a paper
about Nine Inch Nails. I decided to analyze "The Great Destroyer"
rather than "Somewhat Damaged," but the semester is still young. The
shorter version: Fuck you, Adorno. Just because it's modern and it's
popular doesn't mean it isn't also serious art.
Monday, January 31, 2011
Thursday, January 06, 2011
Concert Review: The English Beat, Johnny D's, Somerville, January 4
The English Beat are better than you remember. Off the top of your
head, you can only recall "Mirror in the Bathroom" and their cool logo.
But they have more songs that make you go, "Oh, yeah, this is
really good," than you realized. And they can get a party going on a
cold Tuesday night in January like nobody's business.
"How Can You Stand There?" was the unofficial theme song for the night. It was probably about political apathy, but it applied to the audience at a more literal level to the few hold-outs in the audience. Most of the sold-out crowd at Johnny D's was on their feet and dancing. Even people with seats at tables on the edges of the crowded room were up and moving. Dave Wakeling could taunt someone up front for standing still with arms folded only because it was a rarity. Even more impressive about "How Can You Stand There?" is that it was a new song, not yet recorded, but it fit in so easily with their repertoire of hits that the audience never slowed down.
And the major and minor hits kept coming: "Hands Off She's Mine," "I Confess," "Best Friend," "Twist and Crawl," "Save It For Later" (See what I said about more good songs than you remember?) They brought out the covers that they put their own stamp on, "Tears of a Clown," "Can't Get Used to Losing You" and "I'll Take You There." Guitarist and singer Dave Wakeling is the only original member still with the band; the current keyboard player probably wasn't even born when the Ranking Roger was bobbing around in videos in the early days of MTV. But the line-up in tight, ably delivering the material that made the band the epitome of the early '80s ska revival.
No, the evening wasn't perfect. While it was impressive that they played more than two hours, the energy in the room sagged at around the 1 hour 45 mark; they could have trimmed a few songs and still kept the audience more than satisfied. And it's hard to fully endorse a group so clearly trading on nostalgia. But it's also hard to fault a band that generates so much fun.
"How Can You Stand There?" was the unofficial theme song for the night. It was probably about political apathy, but it applied to the audience at a more literal level to the few hold-outs in the audience. Most of the sold-out crowd at Johnny D's was on their feet and dancing. Even people with seats at tables on the edges of the crowded room were up and moving. Dave Wakeling could taunt someone up front for standing still with arms folded only because it was a rarity. Even more impressive about "How Can You Stand There?" is that it was a new song, not yet recorded, but it fit in so easily with their repertoire of hits that the audience never slowed down.
And the major and minor hits kept coming: "Hands Off She's Mine," "I Confess," "Best Friend," "Twist and Crawl," "Save It For Later" (See what I said about more good songs than you remember?) They brought out the covers that they put their own stamp on, "Tears of a Clown," "Can't Get Used to Losing You" and "I'll Take You There." Guitarist and singer Dave Wakeling is the only original member still with the band; the current keyboard player probably wasn't even born when the Ranking Roger was bobbing around in videos in the early days of MTV. But the line-up in tight, ably delivering the material that made the band the epitome of the early '80s ska revival.
No, the evening wasn't perfect. While it was impressive that they played more than two hours, the energy in the room sagged at around the 1 hour 45 mark; they could have trimmed a few songs and still kept the audience more than satisfied. And it's hard to fully endorse a group so clearly trading on nostalgia. But it's also hard to fault a band that generates so much fun.
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